By Mary Jo Bang
The aqua green goes with the pink
in a way no one knows what will happen.
Every step is a dangerous taking.
Amazing the time span of a trunk
(a door opens in it and suddenly,
someone is asking how this came to be).
The green curtain is a pressed chime
which when rung rings in a dogwood
white as if a storm were approaching
its green extreme.
Brick crumbles into living pond particle
while a bent hook holds back
the last dissolve.
An uneasy leap over a sharky sea.
Gravity plays its little emotive role.
It’s Elm Street all over
again, ragged walkways lead to Toon Town.
Hello kids. Hello Jimmy Neutron.
The blanket rises, and under it,
a fetishistic pompadour
green, greener and paler than bluebird.
But hush, the nuclear power plant
is about to blow unless
Jimmy can locate the elusive button.
A siren and standing-by fire truck.
It looks like a lost cause until presto,
a messenger. A racketing aside.
The day is dragged here and there but still
can’t be saved. BAM. Immediately
the next second clicks into the skyscape
apocalypse. In the dust, a celluloid woman
mows a multilayered lawn.
The arch overhead reads, O Art
Still Has Truth Take Refuge. Where? There.
There, there, says someone.
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