From “In The After”

By Tonya M. Foster

1.
March, like the soldier, through the sonic insistence of breath

Breathe in the minute    in the minute    in the moment             breathe            breathe            breathe
Body rest            Body wrest away the rest, then breathe            breathe

Bodies arrested               Body rest            body wrested   body resting in/as recline
Body rest            body wrested    bodies arrested (those who are loved)    body politic is/as de     cline

Body rest in each breath            in each breathe            in breathing
Body rests in each breath we take

Bodies rest in each breath taken by the body politic’s restless decline
Body rest in the sonic soothing of (y)our saying            a tongue tenderly tending

Body wrested from its resting in the sonic insistence of our isness
we move through by moving as an unmarshalled we

2.
But if I love you what we are is of consequence each to the morning,
each to the afternoon, and to the evening’s retire

But if I love you, time is immeasureable and irrelevant. There is no easy
accounting of the train’s arrival, of the ship’s docking

But if I love you, you are not drawn as an easy other, conscripted
in the agonies of marketed and marketing brands

Arrival and its possibility are verdant present joys
Leaving and its possibilities are expansive desert joys

But if I love you, you are not me,
and we dance along our incongruous, broken roadways

But if I love you, I will love many in the multiple that I am and that I love

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