My Sad Self

By Allen Ginsberg

To Frank O’Hara

Sometimes when my eyes are red
I go up on top of the RCA Building
and gaze at my world, Manhattan—
my buildings, streets I’ve done feats in,
lofts, beds, coldwater flats
—on Fifth Ave below which I also bear in mind,
its ant cars, little yellow taxis, men
walking the size of specks of wool—
Panorama of the bridges, sunrise over Brooklyn machine,
sun go down over New Jersey where I was born
& Paterson where I played with ants—
my later loves on 15th Street,
my greater loves of Lower East Side,
my once fabulous amours in the Bronx
faraway—
paths crossing in these hidden streets,
my history summed up, my absences
and ecstasies in Harlem—
—sun shining down on all I own
in one eyeblink to the horizon
in my last eternity—
matter is water.

Sad,
I take the elevator and go
down, pondering,
and walk on the pavements staring into all man’s
plateglass, faces,
questioning after who loves,
and stop, bemused
in front of an automobile shopwindow
standing lost in calm thought,
traffic moving up & down 5th Avenue blocks behind me
waiting for a moment when …

Time to go home & cook supper & listen to
the romantic war news on the radio
… all movement stops
& I walk in the timeless sadness of existence,
tenderness flowing thru the buildings,
my fingertips touching reality’s face,
my own face streaked with tears in the mirror
of some window—at dusk—
where I have no desire—
for bonbons—or to own the dresses or Japanese
lampshades of intellection—

Confused by the spectacle around me,
Man struggling up the street
with packages, newspapers,
ties, beautiful suits
toward his desire
Man, woman, streaming over the pavements
red lights clocking hurried watches &
movements at the curb—

And all these streets leading
so crosswise, honking, lengthily,
by avenues
stalked by high buildings or crusted into slums
thru such halting traffic
screaming cars and engines
so painfully to this
countryside, this graveyard
this stillness
on deathbed or mountain
once seen
never regained or desired
in the mind to come
where all Manhattan that I’ve seen must disappear.

New York, October 1958

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Famous-Poems-quiz

Famous Poems: 20 Multiple-Choice Questions

1 / 20

"The world is too much with us; late and soon, Getting and spending, we lay waste our powers; Little we see in Nature that is ours; We have given our hearts away, a sordid boon!"

- Who is the author of this poem?

2 / 20

"I celebrate myself, and sing myself, And what I assume you shall assume, For every atom belonging to me as good belongs to you."

- What is the title of this poem?

3 / 20

"Still I Rise" is a famous poem by Maya Angelou. What is the next line of this poem after "You may shoot me with your words"?

4 / 20

"We real cool. We left school. We lurk late."

- What is the next line of this poem by Gwendolyn Brooks?

5 / 20

"Tis better to have loved and lost Than never to have loved at all."

 

- Who is the author of this poem?

6 / 20

"A thing of beauty is a joy forever: Its loveliness increases; it will never Pass into nothingness; but still will keep A bower quiet for us, and a sleep Full of sweet dreams, and health, and quiet breathing."

 - What is the title of this poem?

7 / 20

"Do not go gentle into that good night,

 Old age should burn and rave at close of day; 

Rage, rage against the dying of the light."

 

- Who is the author of this poem?

8 / 20

"Shall I compare thee to a summer's day? 

Thou art more lovely and more temperate: 

Rough winds do shake the darling buds of May, 

And summer's lease hath all too short a date."

 

 - Who is the author of this poem?

9 / 20

"Ozymandias" is a famous poem by Percy Bysshe Shelley. What is the next line of this poem after "I met a traveller from an antique land"?

10 / 20

"Oh, my luve is like a red, red rose, That's newly sprung in June: Oh, my luve is like the melodie, That's sweetly play'd in tune."

- What is the title of this poem?

11 / 20

"Once upon a midnight dreary, while I pondered, weak and weary," - What is the next line of this poem by Edgar Allan Poe?

12 / 20

"The Odyssey" is a famous epic poem by Homer. What is the next line of this poem after "Tell me, O Muse, of that ingenious hero"?

13 / 20

"Two roads diverged in a wood, 

and I - I took the one less travelled by, 

And that has made all the difference." 

 

- Who is the author of this poem?

14 / 20

"I hear America singing, the varied carols I hear, Those of mechanics, each one singing his as it should be blithe and strong."

- Who is the author of this poem?

15 / 20

"I crave your mouth, your voice, your hair" is the opening line of a poem by Pablo Neruda. What is the next line of this poem?

16 / 20

"How do I love thee? Let me count the ways.

I love thee to the depth and breadth and height My soul can reach."

 

- Who is the author of this poem?

17 / 20

"roll the dice" is the opening line of a poem by Charles Bukowski.

What is the next line of this poem?

18 / 20

"Paradise Lost" is a famous epic poem by John Milton. What is the next line of this poem after "Of Man's first disobedience, and the fruit"?

19 / 20

"Two roads diverged in a wood, and I - I took the one less traveled by,"

- What is the next line of this poem by Robert Frost?

20 / 20

"I wandered lonely as a cloud, 

That floats on high o'er vales and hills, 

When all at once I saw a crowd, 

A host, of golden daffodils."

 

 - What is the title of this poem?

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Forms-Of-Poetry-Quiz

Forms Of Poetry: 20 Multiple-Choice Questions

1 / 20

What is the name of the poetic form in which each line or stanza repeats the same sequence of words, but in reverse order?

2 / 20

What is the name of the poetic form in which the poem's shape on the page reflects its subject matter?

3 / 20

Which of the following poetic forms is characterized by a poem with three stanzas of three lines each, followed by a single four-line stanza, with a specific rhyme scheme and syllable count?

4 / 20

What is the name of the poetic form in which a speaker addresses someone or something that is absent or not able to respond?

5 / 20

Which of the following is NOT a form of Japanese poetry?

6 / 20

What is the name of the poetic form that originated in ancient Arabic poetry, consisting of rhyming couplets and a refrain, typically used to express love or melancholy?

7 / 20

Which of the following poetic forms is characterized by a repeated refrain, alternating with a series of quatrains, with a final quatrain as a coda?

8 / 20

What is the name of the poetic form in which the first letter of each line spells out a word or phrase?

9 / 20

What is the name of the poetic form consisting of 17 syllables arranged in three lines of 5, 7, and 5 syllables?

10 / 20

Which of the following poetic forms is characterized by alternating lines of iambic tetrameter and iambic trimeter, with a rhyme scheme of A-B-A-B?

11 / 20

Which of the following poetic forms originated in Italy?

12 / 20

What is the name of the poetic form consisting of four-line stanzas, with a rhyme scheme of ABAB, typically used to express love or praise?

13 / 20

Which of the following poetic forms is characterized by three-line stanzas, with a syllable count of 5-7-5 and a seasonal reference?

14 / 20

Which of the following poetic forms is characterized by three-line stanzas, with the second line repeating as the last line of the previous stanza?

15 / 20

What is the name of the poetic form in which the last word of each line is repeated throughout the poem?

16 / 20

Which of the following poetic forms is characterized by a poem that describes or meditates on the natural world, often using vivid imagery and sensory language?

17 / 20

Which of the following poetic forms is characterized by six sestets and a final tercet, with a complex pattern of repeating end words?

18 / 20

Which of the following poetic forms is characterized by three stanzas of three lines each and a final quatrain?

19 / 20

What is the name of the poetic form consisting of a single line, typically with a specific syllable count or word limit, and often used to convey a strong emotion or idea?

20 / 20

What is the name of the poetic form consisting of a series of unrhymed tercets followed by a quatrain, with the same end words used throughout the poem in a specific pattern?

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